Every day, a story about the performance of an actor in the month of Ramadan.
It is very unfortunate that the censor’s scissors decided by political decision to absent distinguished actors (Nabil Asali and Nassim Haddoush) .. There are undoubtedly darkness in life, but, it is not worse than being unfair to a person because of his talent.
The censor's scissors allied with the Corona pandemic, against the actions of the month of Ramadan this year, depriving the Algerian viewer of drawing enough smile and reading the reality in a different way.
At a new station in Algeria, the series (Daiqios and Mkiyous) is prevented, in the form of a truly coward decision, hiding behind the telephone, its owner does not even dare to confront.
I know Nabil Asali personally for 10 years, I know him as a talented actor, a respectable friend, man-made and cultured fortress of his career in study and training, obsessed with Russian literature, reading Dostoyevsky books, Chekhov, Tolstoy, and for this I feel the magnitude of the injustice he is being subjected to.
After the previous regime’s censorship, Ahlam Nabil, was shattered in the presentation of the series (Those Days), she returned to derail his artistic effort in the series "Dakyous and Maqyous" while the Corona pandemic stopped the filming of the second part of the series "Mashair". Mehdi ”, who is taking part in the role of Belouizdad, has no indication of his showing.
An unwritten rule says, the film actor has a greater prestige, and actors who participate in movies do not like to appear in television works, for fear that this may affect their image and stardom, and the actor rarely succeeds in the two experiences.
Nabil Asali, was the exception in drama, cinema and comedy, where the days go by, and we still remember the “Jranan Al-Wasastu” program in which Nabil Asali embodied about forty political, cultural and artistic figures, during three seasons.
At the height of our need for a cry of freedom, the actor refreshed our minds and made comedy an instrument of change and an awakening of conscience. In a difficult political time for Algeria, the time of the fourth term which was an interesting subject for comedy, after the parties ’papers failed to create an honorable scene for Algeria, then he brought“ Haleto ”Jernan Al-Qastouo, to be a real outlet for expression and freedom of creativity, and the politician as the artist falls in the window of“ comedy ” , Thus constituting a real shift to the language of television comedy in the era of lame audiovisual openness.
I knew Nabil Asali, a lover of the homeland, rejecting all immigration offers, father of two children dreaming of growing up with them on the land of Algeria, despite the challenges, but he hopes that one day he will not be forced to emigrate under any pressure, as society, city streets and country tales are the artist’s material and his message with which he travels with all A day, hoping for the best.
I knew Nabil, an ambitious young man who graduated from the Institute of Dramatic Arts in Burj Al Kaifan in 2006, and in record condition, he achieved distinguished and unparalleled successes, reflecting the average of the awards he received during his career crowned with the love of the public.
It is the artistic distinction given by him the award for best actor in the fifteenth session of the Lawrence Festival in Spain. And the International Critics Award (Vibrissi) at the Dubai Festival and dozens of crowns due for roles unlike (Daqius) and (Halitou).
In the career of the actor Nabil Asali, there are several works in the cinema, especially with the director Merzak Allouache, who presented him in the movie “Normal” in 1911, “Harragah” in 2009 “The Repentant” 2012, and also with the director Amor Hakar in the 2013 “Al-Daleel” film, which signed a distinguished presence In international festivals.
# Solidarity with # Nabil # Hazel
Muhammad Allal
Photo: 2009 Dubai International Film Festival. Nabil Asli with the Muhr Arab Special Jury Prize for Harragas and the Fiprisci Prize.
Mohamed Allal //
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